Understanding the history and whakapapa of clay helped me practice a holistic attitude towards the development of this work, the organic responses to fabricated forms and shapes or the way the medium stretches and contracts. Accepting that weathered shapes and surfaces are at harmony with the simple bowl form gives me a platform to treat these works more like sculpture than pottery. The uneven surface of each piece references the weathered and layered structures of the land and the impact of human activity and industry
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